“In my work I get rid of the first intention, too ideal,
and a construction that seeks to organize sensations,
space and time, shapes and colors,
emptiness and fullness.

It only develops in practice, doing it, while verifying a thought to its fullest extent.

It is a painting of a mature moment, in the mastery of gesture and letting go, and not a painting of the moment, of a fleeting emotion.

My approach is closer to the concepts
quantum mechanics,
in which we cannot predict anything (apart from probabilities) before having carried out the experiment,
than those associated with relativity,
where we can anticipate the result of an experiment before having carried it out.

Paint, observe, step back, doubt, move forward, paint.
The painting is sufficient in itself,
it is beyond words.
Painting must lead one to think through the senses. »